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	Search results for Pictorial    Refine your search Creator 4 () 3 () 1 () 1 () 1 () Show more... results 41-60 of 71 item(s)  page 3 of 4 : ( <<  1  2  3  4  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 41. [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle. 42. [Bookplate for J. W. Eastham] This is a pictorial bookplate created using black ink on white paper. The "Lions" mountain range is portrayed surrounded by flowers and wheat. 43. [Bookplate for J.G. Grieve by William Walker Alexander] Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso. 44. [Bookplate for Jac Balfour Paul Ado] Using black ink on white paper, the background of this pictorial bookplate portrays a window frame and windowsill. The top left side of the window is latticed, below which is an image of a rocky mountain and forest above which the sun is rising or setting. On the right side of the window frame is a shelf with three books. Leaning against the shelf is an unravelled scroll reading "In Soli / tudine / Solamen" [comfort in solitude]. Below this text is a lit lamp. On the windowsill are three figures. From left to right, the first figure is standing, nude and holding a comedy mask to its face. The second nude is sitting holding a cape over its shoulder (on the cape is a heraldic emblem: The shield is argent with a rampant lion). The third figure is sitting with its right leg crossed over the left leg, clothed in a judge/lawyer's wig, clothed in robes and holding a large open book in its lap. 45. [Bookplate for James M. Wishart by Leslie Victor Smith] Printed in black ink on white or cream paper, the bookplate consists of a two line border surrounding a circular design of vines and leaves with the words 'EX LIBRIS' appearing at the top. In the upper third of the design at center appears a University of Toronto Medical School coat of arts bearing a skull and crossbones. Below the coat of arm to the left appears an open book and to the right appears a three-stringed harp. The initials of the designer, Leslie Victor Smith, and the date "1940" appear at the bottom of the design. Below the design appears the name of the owner. 46. [Bookplate for James R. Adams] A pictorial bookplate depicting two owls perched on a disordered pile of open and closed books in black ink on ivory paper (with glue on back). "EX-LIBRIS" is part of the image ; however, the name has been added using a commercial rubber stamp within a space deliberately left within a banner. 47. [Bookplate for James Stevenson by H. Wilson] A Latin phrase is written on a banner at the top of the plate. Beneath it is a hand ascending from a heraldic silk wreath, holding a crown of leaves. While illustrated in a pictorial style, the image is reminiscent of the heraldic image of a dexter hand couped at the wrist, holding a crown of laurel or bay leaves. 48. [Bookplate for Joan Mary Bloxam] Pictorial bookplate created using black ink on thick, ivory paper. A single tree is portrayed within a thin border of two lines. 49. [Bookplate for John C. Brune] This bookplate consists of a pictorial escutcheon. The image is of a stag at speed emerging from the woods. Above the shield is a helmet, front facing with bars, topped with a crest wreath and a rack of antlers. From the sides of the helmet flows elaborate heraldic mantling. 50. [Bookplate for John Peter Braselmann] Pictorial bookplate created using black ink on white paper. The image portrays a scholar seated in front of a bookshelf, reading a large book. The border consists of open and closed books and two lit candles at the top right and left corners. 51. [Bookplate for Juliette Hauply] Black ink on yellowed paper. This pictorial bookplate depicts an animal, possibly a dog, prancing in a field. Surrounding the animal are flowers and leaves. Decorative borders, illustrated with vines, separate the bookplate owner's name from the illustration. 52. [Bookplate for L. M. Stauffer by Stanley Harrod] In black ink on white paper, this bookplate consists of a shield or escutcheon Argent (silver). On dexter side, a twelve-point etoile. On sinister side, a dexter arm holding a cup. A trefoil Argent protrudes from the middle base of the escutcheon. The front facing, barred helm bears the crest of a bearded man from the waist up holding a cup in his right hand. The helm is surrounded by mantling. Below the escutcheon, a banner bears the text 'S H / L. M. Stauffer / 1917'. 53. [Bookplate for Lacombe Vincent by Carles Imprint Editor] Pictorial bookplate. An illustrated border surrounds text in the center. Angels are on the top right and left hand corners. The left side angel holds a wreath in one hand and the right side angel holds a book in one hand. The angels also hold a banner that stretches between them with the name of the awarding organization on it. Below the angels is a border of morning glories. The plants meet at the bottom center of the plate, growing from beneath a pile of books and a globe. Four fonts used for the text, with spaces for hand-written annotations naming the prize recipient. 54. [Bookplate for Ladislaus Kardos] Pictorial bookplate. The initials LK are portrayed in red and are within a series of three diamonds of varying shades of gray. 55. [Bookplate for Lesslie M. Sweetnam by F. F. H.] Printed in black ink on white or cream paper, the bookplate shows a figure reading a book while sitting at a roll top desk with his / her back facing the viewer. The desk is flanked on either side by full bookcases and is topped by a reading lamp, additional books, and a small picture frame. Two framed objects hang on the wall above the desk. 56. [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery. 57. [Bookplate for M. J. Freie] Pictorial bookplate created with black ink on ivory paper. A clock tower is visible through a stone, oval, window. In the upper right and left corners are shields: On the left side is an or shield with a displayed double-headed bird ; on the chest of the bird is an argent shield with a vert fess. The shield on the right side is sable with a ship. In the bottom right corner is an owl perched atop books and in the left corner is a painter's pallet and brushes. 58. [Bookplate for Margarete Bertha Kahn] Pictorial bookplate. Adult hands are portrayed protecting and cultivating a growing plant. The image is within an oval and is surrounded by a black border. 59. [Bookplate for Mary Katharine Black and F. Black] This is a commercial, pictorial bookplate displaying, in vivid colours, an antiquated ship sailing over the horizon. The names of the originators have been hand written onto a banner above the ship. 60. [Bookplate for Mary Katharine Black by Thoreau MacDonald] This pictorial engraving was created using black ink on white paper and portrays an island with two wind-swept trees with a rising/setting sun on the horizon. select all : clear all : add to favorites results 41-60 of 71 item(s)  page 3 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
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